About Amanta
Canadian Artist Amanta Scott with her encaustic painting: The Archer, a self portrait created at the curator’s request for her solo exhibition Eyeing Medusa at Orillia Museum of Art & History, 2023
Canadian Artist Amanta Scott with her encaustic painting, La Medusa Honorable — Impression of Miriam Germán Brito
“I learned long ago that others treat you not as you are but as they are.” — Miriam Germán Brito
Medusa refers both to the archetypal wronged-woman with venomous snakes for hair, whose rage, pain and horrifying image turns unsuspecting viewers to stone; and to the immortal, deadly jellyfish, subphylum Medusozoa.
Miriam Germán Brito is a lawyer, former Supreme Court Judge and current Attorney General of the Dominican Republic. Fiercely committed to fighting administrative corruption rooted in the previous government, she launched Operation Medusa, charging officials with crimes of association of criminals, fraud against the State, bribery, coalition of officials, falsification of public documents, identity theft, electronic crimes, and money laundering.
www.amantascott.com/medusa-miriam-german-brito
Canadian Artist Amanta Scott with encaustic painting Pythia Paused — Impression of Queen Elizabeth II, Orillia Museum of Art & History, 2023
“Now then— with teeth or without?” — Her Majesty Queen Elizabeth II (as said before each portrait sitting.)
The Pythia (the Oracle of Delphi) high priestess of the Temple of Apollo, was the most prestigious, authoritative oracle and one of the most powerful women of the classical Greek world.
The role of Pythia is intriguing— as is that of The Queen. As two of the most important women in the world in their time, both of them listened and counselled and thus carried the burden of terrible secrets and ideas. How must it feel to be the custodian of the world’s secrets, holding knowledge, like the Pythia?
Learn More: https://www.amantascott.com/pythia-paused-queen-elizabeth-ii
Canadian artist Amanta Scott with encaustic painting Medusa’s Rage — Impressions of Autumn Peltier, in private collection, Toronto
“When there is no clean water left, our tears will fall as oil.” — Autumn Peltier
Medusa is known as the terrifying woman with snakes for hair whose sheer rage can turn a person to stone just for looking at her. What made Medusa so angry? Because she was not consulted. Because her rights were denied.
Autumn Peltier, an Indigenous environmental activist, has been drawing global attention to the lack of safe drinking water in numerous Indigenous communities across Canada.
Learn More: https://www.amantascott.com/medusa-rage-autumn-peltier
Enjoying the view of the harbour in Hong Kong
Canadian Artist Amanta Scott with encaustic paintings in her solo exhibition Eyeing Medusa at Orillia Museum of Art & History, 2023
Canadian Artist Amanta Scott with five encaustic paintings in her solo exhibition Eyeing Medusa at Orillia Museum of Art & History, 2023
Canadian artist, Amanta Scott polishes her encaustic painting Persephone — Impression of Kim Bok-Dong for her solo exhibition Eyeing Medusa at Orillia Museum of Art & History, 2023
encaustic painting Cassandra — Impression of Margaret Atwood
Canadian Artist Amanta Scott with encaustic painting Themis — Impression of Katerina Sakellaropoulou, a work which triggered Amanta’s research and discovery of her own astonishing ancestry.
Canadian artist Amanta Scott with flowers for her solo exhibition, Eyeing Medusa, an installation of encaustic paintings and videos at Orillia Museum of Art & History, 2023
viewing Adolf Hirémy-Hirschl’s painting “Sic transit” in Rome
Amanta Scott views Bernini’s sculpture Apollo and Daphne— a beautiful and harrowing work at the Borghese Gallery in Rome
Viewing Hieronymus Bosch’s painting The Crucifixion of Saint Wilgefortis at the Gallerie dell’Accademia in Venice. This is one of the works that triggered me to create Eyeing Medusa.
Canadian Artist Amanta Scott works on an encaustic painting in her studio
Workshop participant explains her creation with Canadian artist, Amanta Scott’s interactive Stories in a Suitcase installation, in Kirkland Lake, Ontario
Three encaustic paintings by Canadian Artist Amanta Scott, on the walls of her studio
A visitor interacts with Canadian Artist Amanta Scott and her prison bed installation 15 Minutes of Fame, for World Refugee Day event, hosted by UNHCR
Canadian Artist Amanta Scott directs and accompanies an intercultural choir of seniors singing in six languages
Canadian artist, Amanta Scott walking on eggshells during her performance with her work Shellshock, which featured a 35-voice choir, 8 dancers, an encaustic sculpture installation and 120-dozen eggshells with which the performers interacted.
polishing her encaustic painting Pythia Paused — Impression of Queen Elizabeth II
Additional Information
Exploring unity in our diversity, my projects provide a forum for dialogue and reflection; for both personal and public exploration, performance and meaningful self-expression; and for ongoing interaction and discussion between Artist and Public.
Visitors of all ages, cultures and socio-economic backgrounds frequently give way to tears, hug and thank me, and pour out stories of imprisonment and freedom; alienation, depression; isolation, community; desperation and hope. Visitors include themselves and their personal effects in her installations; and say they imagine themselves in my paintings.
I directed a six-month arts program touring youth-created performances and sculpture installations to festivals and seniors residences across Central Ontario, commissioned by Human Resources Development Canada; conducted a three-year project for Harmony Hall Centre for Seniors, with Chinese, Bengali, Tamil, West Indian and English-speaking seniors singing in each others’ languages; and have directed art workshops at Hong Kong Academy for Performing Arts; TASIS School in Puerto Rico; Rexdale Community Hub, Toronto (conducted in eight languages); and in schools across Ontario, in Edmonton, Tokyo, and Taiwan.
Selected solo shows
commissions
Awards
education / PROFESSIONAL TRAINING
MUSIC
1987 — University of Toronto, BMUS, Theory & Composition; York University, Jazz Piano
1995 — Ancient Voice: Tahara Junko: Tokyo, Japan
ART
1995 — Noh Mask Carving: Master Classes with Fujio Fujimori: Tokyo, Japan
1990 — Sculpture - Central Technical School Art Centre
DANCE
2005 — Latin & Ballroom Dance: Love to Dance Studio;
— Independent dance studies in Toronto1995 — Ancient Dance: Takeko Sudo;
— Butoh Dance Master Classes: Kazuo Ono: Tokyo, Japan
When not painting, sculpting or performing, Amanta Scott is a professional pianist, organist and teacher, with a unique and effective method centred on conscious success-based learning, and working with a metronome to cultivate musicianship, self-awareness and serenity.
Amanta Scott is the grand daughter of British composer Cyril Scott, as well as the Administrator for the Cyril Scott Estate and the official Cyril Scott website which she designed and maintains. For more information please visit www.cyrilscott.net .
Other notable ancestors include: Moïse Allatini, Rose Laure Allatini, Darius Milhaud, Marcel Dassault and Darius Paul Dassault, Eric Allatini, Edith Porada, Solomon Loeb Rapoport and others.
2018 — Museum of Northern History
2015 — Artist Project Toronto
2011 — Festival International Montréal En Arts
2008 — ScotiaBank Nuit Blanche Toronto
2005 — Art Gallery of Algoma